![]() Smile dips into the slasher subgenre with its gesture at this Final Girl trope, yet Finn never gives Rose the essential verve she needs to make us believe she has some fight in her. Final Girls like Halloween 's Laurie Strode and Scream' s Sidney Prescott are also good girls, but each has a bit of attitude that signals she can stand up for herself when push comes to stab. It's not that being a nice good person is inherently boring. Judy Reyes from Scrubs even pops up for an emotional sequence riddled with anger and grief. They all bring color, while Rose is devotedly beige, even as Bacon hurls herself into the frenzied physicality of fear and slippery shrieks of terror. ![]() At the hospital, Kal Penn brings flushed concern as Rose's colleague, while Kyle Gallner plays a sensitive, slightly broody cop. Holly’s husband (Nick Arapoglou) matches her energy as a succinctly snobby doofus whose crass commentary and easy greediness make for grim but solid punchlines. Her sister Holly (a cuttingly funny Gillian Zinser) is a nightmare of a suburban housewife, the wine-swigging cliche who complains about parenting in between backhanded compliments. Part of the problem, perhaps, is that the characters around Rose get to have, well, character. ![]() But Rose's goodness doesn't make her as instantly compelling as writer/director Parker Finn might hope. And she's a noble one at that, working at a struggling hospital and caring for patients even if they can't pay her a fat hourly fee. In the vein of folk horror, she’s the rational metropolitan figure in her role as a well-respected therapist. Rose Cotter (Sosie Bacon) is plagued by a mysterious curse that stalks her with sinister smiles, but she’s far from thrilling.
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